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Investigating Common Epic Elements In The Poems Of Contemporary Resistance Poets
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Palabras clave

linguistic analysis
cultural heritage
punning word formation
compound word
play of words
translation correspondence.

Cómo citar

Firuzmand, M., & Ebrahimpour Namin, M. (2018). Investigating Common Epic Elements In The Poems Of Contemporary Resistance Poets. Revista Publicando, 5(14 (1), 601-621. https://revistapublicando.org/revista/index.php/crv/article/view/1111

Resumen

Epic poem in attracting ideas and emotions of people in the contemporary period while it was appeared from another aspect, but it could be efficient like Ferdowsi's Shahnameh; as it could remember the Shahnameh.   In the present study that by qualitative method and describing the content seeks poems of four contemporary poets: Seyed Hassan Hosseini, Salman Harati, Ali Moallem and Gheisar Aminpour, elements of the common epic from among their poems are extracted and analyzed. This research reflects the fact that the eight-year sacred defense periods created a radical change in contemporary poetry content and changed the language and the style of the expression of poets. So that in poets works of this period, prowess epic was mixed with the lyricism and created an essence called the Sacred Defense literature which includes religious and belief important issues such as Ashura and waiting, martyr and more.

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Referencias

Aminpour, Gh., (2011), a complete collection of poetry, Tehran: Morvarid

Avesta, M; the "Islamic Revolution literature", Proceedings of the Islamic Revolution Literature seminar from 3 to 5 December 1991, p. 64

Hosseini, H., (2008), a collection of poems, Tehran: Sure Mehr

Dehkhoda, AS., (1994), dictionary, under view of Moein, and Shahidi, J., Tehran: Tehran University

Sangari, M., (2003), Review prose literature of war, Tehran: Palizan

Shafiee Kadkani, M., (2009), music of lyrics, Tehran: Agah

Moallem Damghani, AS., (2012), a complete collection of poetry, Tehran: Sure Mehr

Harati, S., (2001), a complete collection of poems of Salman Harati, Tehran: Sure Mehr

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